THEME
The Five-Star Weekendby Elin Hilderbrand

Friendship and Its Evolution

What This Theme Explores

Friendship and its evolution in The Five-Star Weekend asks how bonds forged in childhood, college, and early motherhood survive adulthood’s drift—distance, ambition, envy, and the grief that rearranges priorities. The novel treats friendship as a living thing: it stagnates when curated as nostalgia, and it deepens when people risk honesty in the present. It probes whether old intimacies can be reanimated without collapsing into sentimentality, and what it costs to renegotiate roles when everyone has changed. Ultimately, it suggests that the friendships we keep are the ones we actively remake.


How It Develops

The theme takes shape the moment Hollis Shaw reads about Moira Sullivan and decides to gather her “life story in friends”—a ritualized attempt to stitch her past to her present after loss (Chapter 1). From the start, the invitations expose hairline cracks: Tatum McKenzie’s wary reply signals old distance, while Dru-Ann Jones’s irritation at Brooke Kirtley reveals simmering hierarchies and judgments (Chapter 2). Hollis imagines these friendships as time capsules; the guests arrive as complicated adults.

When the women converge, the performance of a “perfect” reunion collides with reality. The curated itinerary meets tense silences and territorial jabs, with past slights resurfacing over cocktails (Chapter 6). Crucially, private crises leak into the open: Tatum’s health scare, Dru-Ann’s career implosion, and Brooke’s unraveling marriage. The theme pivots here—from rehashing who they were to seeing who they are now. Each confession becomes a test: will the group default to old roles or learn to show up differently?

By the end, vulnerability becomes the engine of change. Tatum and Dru-Ann finally name their decades-old grievance and amend it aboard the Endeavor, choosing respect over rivalry (Chapter 11). Dru-Ann, once dismissive of Brooke, becomes her fiercest ally after witnessing Charlie’s abuse—a surprising loyalty that reorders the social map (Chapter 9). With support from Dru-Ann and Gigi Ling, Brooke claims a new self, while Hollis and Tatum rebuild their bond without the old resentments. The weekend closes not by restoring the past but by forging truer, present-tense friendships.


Key Examples

  • The Premise: Hollis’s “five-star weekend” is itself an experiment in whether memory can be a bridge instead of a trap. By designing an event to reunite friends from different eras, she tests if nostalgia can catalyze new intimacy rather than flatten everyone into roles they’ve outgrown. The plan reveals both how curated connection can feel artificial—and how structure can create the conditions for honest, unscripted reckonings.

  • Old Wounds: The Bronco “shotgun” spat between Tatum and Dru-Ann comically distills a 25-year grudge into a petty scramble (Chapter 8). The childishness isn’t trivial; it exposes how unprocessed slights calcify into identity, making each woman cling to a story about the other. Naming the pettiness becomes the first step toward releasing it.

  • Bridging the Gap: During the sail on the Endeavor, Dru-Ann’s direct apology reframes the past from competition to insecurity. The moment matters because she doesn’t excuse herself; she reassigns value, acknowledging Tatum’s importance to Hollis rather than trying to minimize it. Their friendship evolves precisely by refusing revisionism.

  • New Alliances: After witnessing Charlie’s cruelty, Dru-Ann moves from skeptic to advocate for Brooke (Chapter 9). This pivot shows friendship evolving not through shared history but through witnessed character—Dru-Ann recognizes Brooke’s courage and meets it with protection. The alliance is “new” because it is earned in real time, not inherited from the past.

  • Reconnecting with the Past: Hollis’s dance with her high school boyfriend, Jack Finigan, parallels the friendships: the past is acknowledged, then renegotiated. Their “Round Room” conversation honors who they were while resisting mere reenactment. It models how tenderness can survive by changing shape.


Character Connections

Hollis powers the experiment and undergoes its most necessary lesson: orchestrating a reunion is not the same as participating in a friendship. Her growth involves relinquishing control—admitting the hurt caused by her success and distance, and choosing presence over curation with Tatum. As she lets her friends see the rawness beneath the host’s perfection, she redistributes power and reopens trust.

Tatum embodies how loyalty can harden into resentment when it feels unreciprocated. Her sense of abandonment by Hollis has kept her friendship frozen at the moment of fracture. By risking vulnerability—disclosing her health fears and accepting Dru-Ann’s apology—she replaces grievance with agency, allowing the bond with Hollis to be reborn on adult terms.

Dru-Ann begins as a manager of relationships—sharp, efficient, emotionally arm’s-length. Crisis punctures that armor. Her apology to Tatum and her defense of Brooke transform her from a commentator on others’ lives into an invested friend. The evolution is ethical as much as emotional: she learns that status without intimacy is loneliness.

Brooke arrives defined by other people’s approval and leaves defined by her own boundaries. Early on, friendship feels transactional—proximity to glamour, group acceptance, external validation. With Dru-Ann and Gigi’s backing, she reframes friendship as a source of courage, not a jury to please, and claims a self that her old social circle never truly saw.


Symbolic Elements

The Five-Star Weekend itinerary, with its themed outfits and precision timing, symbolizes Hollis’s impulse to curate connection. Its frequent breakdowns aren’t failures but revelations: intimacy resists scripting, and the most meaningful shifts happen in the unscheduled margins—on porches, on boats, in confessional detours.

First Light (Hollis’s new, grand home) and The Twist (the modest cottage) function as a map of her divided life. First Light radiates the status that widened the gap with Tatum; The Twist holds the weathered past that still anchors Hollis’s identity. Housing Dru-Ann in The Twist places a present friend in a past space, enabling cross-pollination between who Hollis was and who she is.

The playlists—custom mixes tied to each friendship’s “greatest hits”—embody nostalgia’s comfort and its limits. Initially, they freeze each woman in her peak-era vibe; over the weekend, the living women eclipse their soundtracks. Rediscovering one another means listening beyond the old cues.


Contemporary Relevance

In an age of sprawling, shallow networks and curated feeds, the novel argues for arduous, in-person maintenance of friendship: showing up, confessing, apologizing, and protecting one another when it counts. It captures the midlife question of whether the people who formed us still fit the selves we’ve become—and suggests that fit is not found but forged. By honoring history without being ruled by it, the book models how long-term bonds can survive resets, ruptures, and reinvention.


Essential Quote

“Because I couldn’t make your importance to Hollis smaller, I tried to diminish you in other ways. What I said at the reception was inexcusable… Believe me, Tatum, I am sorry.”

This apology crystallizes the theme: friendship evolves when people confront the true motive beneath a wound—envy, fear, or status anxiety—and choose repair over defense. Dru-Ann’s refusal to soft-pedal her wrongdoing dignifies Tatum’s hurt and rebalances the triad with Hollis. The relationship doesn’t revert; it matures, grounded now in clarity rather than rivalry.